Early (Very Rough) Review: I Finally Saw This

Le Fabuleux destin d'Amélie Poulain , Sunday 24. January 2010, 06:26

From May 29, 2006:

It's 5 years old, yet somehow I managed to miss out on Amelie for a very long time. I don't know why. It always happens that I miss out on films I really want to see unless I can get people to see them with me. And I only have one friend who enjoys watching artsy and/or foreign language films with me.

So, it just so happens that I was in Chicago this weekend visiting that same friend, and she owns a copy of this movie. What a treat! It lived up to my expectations. So quirky, so cute. French films are, most of the time, masterpieces because French filmmakers are not hampered by the pseudo-industrial complex that plagues Hollywood. I don't like all French films, mind you, but they are mostly well put together. After all, La Femme Nikita spawned an American remake and a TV series.

This movie was feel-good. A pre-Da Vinci Code Sophie Neveu shines as the title character, who, due to her eccentric upbringing, is extremely introverted. Yet, with her big imagination, she has a big heart, and aims to visit kindnesses on people she meets; except when it comes to a man she wants to meet. She must struggle with taking the risk and talking to him and creates elaborate ways to help her conquer her fear.

It's got such a sense of humor about it, this movie. It's completely infectious. I rate this movie 10 out of 10 (a masterpiece!).

The test: will she be buying it? The answer: I think I may. I could watch it again because it made me smile. Maybe I'll try watching it without subtitles the next time...finally all that French in high school and college may be good for something.

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French films are, most of the time, masterpieces because French filmmakers are not hampered by the pseudo-industrial complex that plagues Hollywood.

I think the only reason you think so is because you watch only those French movies that receive some critical acclaim and manage to get there across the ocean. Good movies.

There is a number of crappy Hollywood-like films produced in France as well as in any country in Europe and Asia, you just probably never had a chance to watch those as the cinemas are full of American crap anyway, no need to import more :)

I agree with Michuk. The French film industry is certainly capable of making utter tripe, most of which goes no further than France.

Amelie, though, is an utterly gorgeous film. I saw it several years ago and was utterly captivated. The plot is pretty slight but this really doesn't matter because the characters are so well drawn and likeable.

BTW, if you liked Amelie, I very much recommend another flick with Mathieu Kassovitz (Amelia's "lover" who never got a proper shot in Jeunet's film) -- Self-made hero by Jacques Audiard. This is the movie which made Kassovitz one of my favorite European actors. And it's a totally brilliant comedy with some drama added in a very skillful way.

Ah, to be fair, this is one of my first reviews, see, so it was not very well written, and I was often given to hyperbolic, overly exaggerative statements like "all French films are masterpieces." I know now that that's not true. I do love Amelie a lot, though. I related to her quite a bit.

Thanks for the rec, michuk. I shall remember to add that to my queue!

As for the crap....well, yes. I supposed there is as much steaming piles of crappy film in every country as there are film worth the celluloid and/or digital copy in which they're contained. It's cool.

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